Goya Contemporary Gallery at the ADAA Fair

Goya Contemporary Gallery presents work by Soledad Salamé and Amalie Rothschild at the ADAA Fair. The gallery’s presentation is located at Booth A6 in the Park Avenue Armory in New York, and includes paintings, sculpture, prints, mixed-media works, and works on paper spanning Rothschild’s career and Salamé’s explorations of environmental change, landscape, and visual distortion.

Salamé’s *Gulf Distortion* works respond to the environmental and political consequences of the 2010 Deepwater Horizon oil spill along the Gulf Coast. Based on photographs made in Louisiana, particularly around Venice and Grand Isle, the series breaks documentary imagery into fractured compositions through silkscreen, hand intervention, digital degradation, fax transmission, pixelation, and other forms of visual interference. The resulting images move between coastal landscapes and the industrial infrastructure of extraction, considering ecological damage, media circulation, political neglect, and the instability of photographic truth.

When: November 12–16, 2026

Venue: Park Avenue Armory, New York, New York

Booth: A6

Lineup: Soledad Salamé and Amalie Rothschild

Amalie Rothschild: The presentation includes *Nut* (1979), acrylic on canvas; *Tyger* (1977), acrylic on canvas; *Resortscape 2* (1982), acrylic on canvas, from the same series as *Resortscape* (1954–55), held by the Baltimore Museum of Art; *Embrace II* (1950), bronze; *Ego* (1991), steel, wood, and acrylic paint; *Am* (1980), particle board, gold leaf, burlap, and mahogany; *Antonia* (1975), acrylic, aluminum wire, and Plexiglas on canvas; *Josepha* (1983), cast handmade paper on linen; *Arbus* (1972–75), aluminum, knit cord, and telephone cable; *Solstice* (1981), acrylic on canvas; and *Torso Male* (1963–64), bronze made from burned-out bark casting.

Soledad Salamé: Featured works include *Yellow Algae* (2026), a silkscreen with hand painting; *Algae Cluster IV* (2026), *Waterfall* (2026), and *Bloom* (2026), all made with handmade paper and combinations of chine collé, watercolor, gouache, drawing, painting, and silkscreen. The handmade paper for these works was produced with Carriage House Paper in Brooklyn. Salamé’s earlier *ALMA* works include *Are You Listening II*, *Space Cabinet II*, and *Space Cabinet*, all from 2014 and made with silkscreen and relief printing on 600-gram Fabriano paper.

Additional Salamé works: The presentation also includes *In the Ocean III* (2026), a silkscreen on handmade paper incorporating jeans pulp; *She is Looking at Me* (2026), a silkscreen with hand coloring on Fabriano paper; and *Gulf Distortion III*, *Gulf Distortion IV*, *Gulf Distortion VIII*, *Gulf Distortion IX*, *Gulf Distortion X*, and *Gulf Distortion XII*, all from 2011 and made as silkscreens on Mylar.

Editions: The three *ALMA* works are marked as artist’s proofs from editions of seven. *In the Ocean III* is edition one of one, *She is Looking at Me* is edition one of five, and the *Gulf Distortion* works are identified as artist’s proofs, three of five.

Artwork details: Rothschild’s works range from intimate sculptures and mixed-media constructions to large-scale acrylic paintings, including *Tyger* at 36 by 72 inches and *Solstice* at 36 by 36 inches. Salamé’s *Gulf Distortion* prints measure approximately 22.5 by 32.5 inches unframed and 28 by 37 inches framed. Her 2026 works include framed pieces ranging from the 19-by-19-inch paper and 23-by-23-inch frame of *Yellow Algae* to the approximately 43-by-33-inch framed dimensions of *Algae Cluster IV*, *Waterfall*, and *Bloom*.

Inquiries: The page provides an “Inquire” option for the individual artworks.

Tickets: Price not available